![cvsm_parte_03_desktop_39 cvsm_parte_03_desktop_39](https://www.provida.net/wp-content/uploads/elementor/thumbs/cvsm_parte_03_desktop_39-qngb13a65bln3jowdjyo3z4a7w12w2nwgdp51dyc8g.jpg)
![cvsm_parte_03_mobile_39 cvsm_parte_03_mobile_39](https://www.provida.net/wp-content/uploads/elementor/thumbs/cvsm_parte_03_mobile_39-qngb139w3iotcitw2m3qz85v781vcy712346ocl2ny.jpg)
October 24, 1981
October 24, 1981
This is the example we want to give wherever we are: to show that this is not just a forced union, that nobody cuts anybody’s free will; that here everybody does things because it’s really what they feel.
When we do things feeling, knowing the Whole, we can play a melody unknown to all, but, in the parts, known by each one. In the recognition of the parts, it becomes easy. I think this is what we’re doing.
(…)
Yes, I think that a great conductor must play any melody. They can’t be specialized in popular music, or in classic or classical music, or in music from Tau Ceti, or… No! A great conductor is a great conductor. Either they know music, or they don’t know music.
I think that each of us will end up becoming a great conductor, and, with humility, each conductor will put themselves in the position of a note to make it… to draw from it its greatest enchantment, its greatest fascination. And we are going to do this.